Despite his brief career and untimely death in 1972, Tony Ray-Jones’ endearing and witty documents of all strata of English society had near Herculean influence on a generation of British photographers. Here were the people of the United Kingdom being unabashedly happy in so many ways that were peculiar to the aging, post-war culture of the 1960s, yet now being cast as somewhat farcical players in Tony’s biting social observations.
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